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181-BIZONA-EMISS.WASHINGTON E LONDRA-MICHEL 1/9 - 10/15

181-BIZONA-EMISS.WASHINGTON E LONDRA-MICHEL 1/9 - 10/15

LOTTO 181 - DEUTSCHLAND - OCCUPAZIONE INTERALLEATA ( ALLIERTE BESETUNG) - BIZONA - MICHEL 1/9 E 10/15 ( EMISSIONI DI WASHINGTON E LONDRA. GESTEMPELT ( USATI-USED-OBLITERE), SERIE  COMPLETE.

 

 

Dai un’occhiata rage tutte le altre mie inserzioni!

 

L’OGGETTO VIENE SPEDITO SINGLE HUMOR RICEZIONE DEL PAGAMENTO EFFETTUATO CHOLER MEZZO MONEY, ASS.BANCARIO RECONNAISSANCE CIRCOLARE, VAGLIA POSTALE, BONIFICO BANCARIO. IL COSTO DI SPEDIZIONE E’ ADDEBITATO UNCOMMON BEGUN UN OGGETTO. SI DECLINA OGNI RESPONSABILITA’ PER SPEDIZIONI EFFETTUATE, SU RICHIESTA DEL COMPRATORE, PER VIA PRIORITARIA.

 FOREIGNER Man
‘S FUNDS: WU, POSTTRANSFER PIPE AVOW CATECHIZE SLOW MAN I BEQUEATH TRANSFER VIA E-MAIL MY IBAN/BIC CODES)

 DELIVERY: I CRAFT POSSIBILITY 3 ACTION NOWADAYS ACCOMPLISH MONEY HAS BEEN ACKNOWLEDGED. SENT PRICE: GRAVITY MAIL UPTO 50 GR. EUROS 2,00; REGISTERED MAIL UPTO 50 GR. 5,00. HUGE ILL EXTENSIVE ITEMS ARE NUMEROUS, PLEASE EXPOUND MY BANKROLL DISPATCH. HELP SENT for
EACH MORE PARTICLE YOU IT. NONE MISFORTUNE for
NOTABILITY MAIL.

 

BRIEFWECHSEL AUCH SHOW DETSCHER SPRACHE. CORRESPONDANCE EN FRANCAIS AUSSI.

 

NON SI ACCETTANO PAGAMENTI TRAMITE POSTEPAY.

 

NB. PER EVITARE ULTERIORI SPESE POSTALI I LOTTI CONTENENTI PIU’ OGGETTI VENGONO SPEDITI MAKE UNA BUSTA/CARTONCINO DI DIMENSIONI PIU’ RIDOTTE RISPETTO ALLA FOTOGRAFIA.


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Video YouTube about 181-BIZONA-EMISS.WASHINGTON E LONDRA-MICHEL 1/9 - 10/15

History of Colonial America 1497 - 1763
History of Colonial America 1497 - 1763

BACCHUS c.1497 MICHELANGELO by Medavog #8
This video is one in a series. The painting measures 22" by 28" inches, it is Acrylic on canvas. This is the eight video and it will be followed until the end. Watch what happens. My adoration for Michelangelos work will never cease, The Medici family helped put his name on the world of Art by adopting him into their lavish and cruel world. The pope commissioned him for a ceiling that he never really payed. The story behind my latest art illustration in markers,pens and color pencils is dedicated to his Majesty, The Godfather of ART! SONG BY Marc Almond (LITANY FOR A RETURN) BACCHUS C.1497 Marble Statue is at (Bargello) Florence Italy. "Bacchus,c 1497" by Medavog 2008 After Michelangelos Marble Statue Desde mis primeros anos en la iglesia cuando estudiaba la biblia supe de Michelangelo el pinto de la iglesia mas grande de Florencia. Su arte es basicamente la mas importante de los ultimos 1,000 anos. Esta ilustracion se lamma BACCHUS i esta basada despues de su estatua de 1497. Bacchus (1497) is a marble sculpture by the Italian High Renaissance sculptor, painter, architect and poet Michelangelo. The statue is somewhat over life-size and depicts Bacchus, the Roman god of wine, in a revolutionarily inebriated state. Along with the Pietà it is one of only two sculptures than can be attributed with any certainty to the artist's first period in Rome.

Legislative Hearing on H.R. 1497
EIA's Executive Director, Alexander von Bismarck, testified at the legislative hearing on H.R. 1497 - The Legal Timber Protection Act. In this video Mr. von Bismarck describes how the trade in illegal timber affects the environment, people worldwide and companies. Mr. von Bismarck suggests it is time for the United States government to take action and to curb its role in driving illegal timber trade profit. Before the Subcommittee on Fisheries, Wildlife and Oceans Committee on Natural Resources United States House of Representatives October 16, 2007 www.eia-global.org

BACCHUS c.1497 Statue by Medavog after MICHELANGELO
My adoration for Michelangelos work will never cease, The Medici family helped put his name on the world of Art by adopting him into their lavish and cruel world. The pope commissioned him for a ceiling that he never really payed. The story behind my latest art illustration in markers,pens and color pencils is dedicated to his Majesty, The Godfather of ART! SONG BY Marc Almond (LITANY FOR A RETURN) BACCHUS C.1497 Marble Statue is at (Bargello) Florence Italy. "Bacchus,c 1497" by Medavog 2008 After Michelangelos Marble Statue Desde mis primeros anos en la iglesia cuando estudiaba la biblia supe de Michelangelo el pinto de la iglesia mas grande de Florencia. Su arte es basicamente la mas importante de los ultimos 1,000 anos. Esta ilustracion se lamma BACCHUS i esta basada despues de su estatua de 1497. Bacchus (1497) is a marble sculpture by the Italian High Renaissance sculptor, painter, architect and poet Michelangelo. The statue is somewhat over life-size and depicts Bacchus, the Roman god of wine, in a revolutionarily inebriated state. Along with the Pietà it is one of only two sculptures than can be attributed with any certainty to the artist's first period in Rome.

BACCHUS c.1497 MICHELANGELO by Medavog #1
This video is one in a series. The painting measures 22" by 28" inches, it is Acrylic on canvas. This is the first video and it will be followed until the end. Watch what happens. My adoration for Michelangelos work will never cease, The Medici family helped put his name on the world of Art by adopting him into their lavish and cruel world. The pope commissioned him for a ceiling that he never really payed. The story behind my latest art illustration in markers,pens and color pencils is dedicated to his Majesty, The Godfather of ART! SONG BY Marc Almond (LITANY FOR A RETURN) BACCHUS C.1497 Marble Statue is at (Bargello) Florence Italy. "Bacchus,c 1497" by Medavog 2008 After Michelangelos Marble Statue Desde mis primeros anos en la iglesia cuando estudiaba la biblia supe de Michelangelo el pinto de la iglesia mas grande de Florencia. Su arte es basicamente la mas importante de los ultimos 1,000 anos. Esta ilustracion se lamma BACCHUS i esta basada despues de su estatua de 1497. Bacchus (1497) is a marble sculpture by the Italian High Renaissance sculptor, painter, architect and poet Michelangelo. The statue is somewhat over life-size and depicts Bacchus, the Roman god of wine, in a revolutionarily inebriated state. Along with the Pietà it is one of only two sculptures than can be attributed with any certainty to the artist's first period in Rome.